![]() Additional engineering and Pro Tools technicians on tracks 1, 2, 3, 7, 11 & 13 – J.J.Recording engineers – Mark Valentine (Track 1) Carter Humphrey (Tracks 2 & 3) Jeff "Woody" Woodruff (Tracks 2, 3, 7, 11 & 13) Frank Filipetti (Tracks 4, 5, 6, 8, 9, 10, 12 & 14).Production manager and music contractor on tracks 4, 5, 6, 8, 9, 10, 12 & 14 – Jill Dell'Abate.Music consultant on tracks 1, 2, 3, 7, 11 & 13 – Daphna Kaster.Production coordination on tracks 1, 2, 3, 7, 11 & 13 – Ben McCarthy.Vocal production on track 11 – Phil Ramone.Associate producers on track 1 – Tal Bergman and Renato Neto.Jeremy Lubbock – string arrangements and conductor (11), woodwind arrangements and conductor (11).Doug Katsaros – rhythm arrangements (5), arrangements and conductor (6, 10, 14), acoustic piano (6).Don Sebesky – orchestra arrangements and conductor (4, 8, 12), rhythm arrangements and conductor (4, 8, 12), arrangements and conductor (9), acoustic piano (9).Richard Perry – arrangements (1), basic track arrangement (2).Arturo Sandoval – trumpet solo (5), flugelhorn solo (8).Dave Koz – tenor saxophone solo (6, 10).Michael Brecker – tenor saxophone solo (4).Dan Higgins – clarinet solo (1), alto saxophone solo (2).John Ferraro – drums (2), percussion (7).Tal Bergman – drums (1), drum programming (1, 11), arrangements (1), percussion (7).Russ Kassoff – acoustic piano (8, 10, 12, 14).Philippe Saisse – keyboards (4, 5, 6, 8, 9, 10, 12, 14), orchestra arrangements and conductor (5, 8, 12).Rob Mounsey – keyboards (4, 5, 8), acoustic piano (4, 5), rhythm arrangements and conductor (4).Andrew Chukerman – synthesizers (3, 7, 10, 13). ![]() Randy Kerber – acoustic piano (3, 7, 13), synthesizers (3, 7, 13).Renato Neto – acoustic piano (1), string synthesizer (1), arrangements (1), synth flute (13).Will Hollis – acoustic piano (1, 2), synthesizers (2), string synthesizer and solo arrangements (2), vibraphone (3).It included his second recording of "Every Time We Say Goodbye."Ī live DVD of the same title was released on 4 February 2003, which featured performances of material from the studio album as well as Stewart's earlier material. The album was Stewart's first release for Sony Music imprint J Records. It was released on 22 October 2002, and became the first in a five-volume series. It Had to Be You: The Great American Songbook is the first album of American pop standards recorded by British musician Rod Stewart, and his 20th album overall. It Had to Be You: The Great American SongbookĪs Time Goes By: The Great American Songbook, Volume II The Story So Far: The Very Best of Rod Stewart ![]() But it won't replace Sinatra, of course, or even Ronstadt's similar work with Nelson Riddle.Henson Recording Studios, The Record Plant, Conway Studios, Signet Sound Studios and Westlake Audio (Los Angeles, CA) Tyrell Studios (Hollywood, CA) Tal2 Studios Crescent Moon Studios (Miami, FL) Right Track Recording (New York City, NY) Chicago Recording Company (Chicago, IL). Nevertheless, this is exactly what it's billed as - Rod sings the Great American Songbook - and it's done with professionalism and ease, so it's a pleasant listen. It's not necessarily bad, but it doesn't have much character outside of Rod's voice, and his soulful rasp isn't really suited for these songs. Certainly, following a throat operation, Stewart is singing better than he has in years, and he feels much more comfortable here than he did on Human, but the whole project has an artificial undercurrent that's hard to shake, especially since the song selection, the arrangements, and the performances play it so safe they're largely undistinguished. Again, the whole thing sounds good on paper, but in practice, it's a bit of a mixed bag. It was done before with Linda Ronstadt, and it worked well, so why not Rod Stewart, whose career was in shambles in 2002 following the disastrous modern R&B record Human? Clive Davis, the man behind Santana's comeback, masterminded the whole thing, and It Had to Be You was born. It's the kind of concept that seems brilliant on paper: revive the career of one of the great vocalists of the rock era by having him sing the great American pop songs of the pre-rock era.
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